The Christmas scene that Anthony arranged under the altar [was] probably the most meaningful "crib" I have ever seen. Three small wood-carved figures made in India: a poor woman, a poor man, and a small child between them. The carving is simple, nearly primitive. No eyes, no ears, no mouths, just the contours of the faces. The figures are smaller than a human hand--nearly too small to attract attention at all.

But then--a beam of light shines on the three figures and projects large shadows on the wall of the sanctuary. That says it all. The light thrown on the smallness of Mary, Joseph, and the Child projects them as large, hopeful shadows against the walls of our life and our world. While looking at the intimate scene we already see the first outlines of the majesty and glory they represent. ... Without the radiant beam of light shining into the darkness there is little to be seen. ... But everything changes with the light.