According to Japanese legend, a young man named Sen no Rikyu sought to learn the elaborate set of customs known as the "Way of Tea." He went to tea master Takeno Joo, who tested the younger man by asking him to tend the garden. Rikyu cleaned up debris and raked the ground until it was perfect, and the garden immaculate. Before presenting his work to the master, he shook a cherry tree, causing a few flowers to fall onto the ground. To this day, the Japanese revere Rikyu as one who understood to his very core wabi-sabi. Emerging in the fifteenth century as a reaction to the prevailing aesthetic of lavishness, ornamentation, and rich materials, wabi-sabi is the art of finding beauty in imperfection and profundity in earthiness, of revering authenticity above all.

When a white pottery bowl breaks, for example, one might glue it back together with white lacquer to disguise the breaks, making it look as new and complete as possible. But in the East the bowl might be glued back together with lacquer sprinkled with gold to highlight the cracks and imperfections. Japanese culture sees the aesthetic value of imperfection in wabi-sabi just as much as the Greeks valued perfection in their art. Wabi-sabi is seen as beautiful because it is imperfect and broken. The gospel is like spiritual wabi-sabi. It is the story of how God redeems imperfect, broken people and uses them to bless a fractured world.