Sermon Illustrations about Vanity
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Find fresh sermon illustrations on Vanity to help bring your sermon to life.
The High Value on Becoming Famous
The drive to become famous is becoming a high value for many people in our culture. That's the conclusion of two social observers. In a speech, New ...
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Former New York Mayor Says He's 'Earned' Heaven
During an interview before his 50th college reunion, former New York City mayor Michael Bloomberg confessed that his mortality has started dawning on ...
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Actress Says, "You Can't Eat Beauty"
The Kenyan actress, Lupita Nyong'o, who received the 2014 Academy Award for Best Supporting Actress for her role in 12 Years as a Slave, offered this ...
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Pre-Oscar ‘Vampire Facelifts’ Highlight Our Culture's Skewed Understanding of Beauty
Before the Academy Awards event in Los Angeles, a remarkable uptick in cosmetic surgeries highlighted the radical lengths some are willing to go for appearance ...
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Leonardo DiCaprio on the Deception of Pride
"As soon as enough people give you enough compliments and you're wielding more power than you've ever had in your life, it's not that ...
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CIA Agent on How to Recruit 'Traitors'
Jason Matthews, a 30-plus year CIA veteran, shared how he and fellow "case workers" convinced people to betray their country and share secrets ...
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Rembrandt Captured the Goodness of Old Age
According to the British art critic Jonathan Jones, many Renaissance artists were "coldly curious" or even cruel in their depictions of old ...
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Michael Scott (The Office) Can't See His Weaknesses
Background: Michael Scott (played by Steve Carell) is the obnoxious manager on the hit TV show The Office. Michael, the manager of Dunder Mifflin's ...
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When Our Spiritual Life Resembles a Treadmill
Treadmills are fun if you want to get a little exercise. Unfortunately, for many people, religion feels like running on a treadmill: they're working ...
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People' Magazine's Cover Stories Reveal Our Priorities
In his book Life: The Movie, cultural critic Neil Gabler claims that People magazine has became the archetypical magazine of our times. Gabler writes:
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